I'm a jeweller and a researcher and most of my work has been concerned with the development of digital jewellery as meaningful forms of object - things that connect us to each other and ourselves in gentle ways across a range of human contexts. I'm passionate about the poetic and relational qualities of jewellery; of working with people in creative and dialogical ways; of craft as a methodology in a complex digital culture and of the potential of thinking through making/finding meaning through making. My current post is Professor of Craft and Wellbeing in the School of Design, Northumbria University Newcastle, UK. 

I'm currently principal investigator on the Enabling Ongoingness research project funded by the EPSRC. This is a design-led, practice-based  engagement  with  older  people,  carers,  people approaching the end of their lives and the bereaved. It seeks to design, develop and deploy a series of objects with digital capabilities that offer new ways for individuals to create meaningful content, curate the content that already exists from personal,  social  and  national  archives  (i.e.  television  programmes, tweets, blogposts  and  films)  and  enable  new  ways  to  consume that content -- in order to support sense of self and relationships with others in relation to the notion of ongoingness. We aim to reconceive how our digital content can be reappropriated through new tools to give agency to people and make the use of digital media meaningful in old age and in relation to mortality.

I'm the co-founder of RTD (Research Through Design) conference with Joyce Yee and co-founder of the Journal of Jewellery Research with Roberta Bernabei and Sandra Wilson.

[The image that I use here is of a brooch housing a photo of my grandfather - he had it made when he was 19 and gave it to my grandmother when he proposed to her before going to war. My using this image could seem to be based in sentimentality - but this isn't the case. Apart from the personal meaning of this piece, and an image of my grandad that I love, I use it because it speaks to what is fundamental to the potential of jewellery. A category of objects that can be intensely human, comprising complex relational dynamics and meanings, able to transport us to other people, places, emotional states - all whilst maintaining a close connection, physically and conceptually, to the body. There is the potential for an intense privacy played out in a public forum that makes jewellery unique as a carrier of meaning.]


Jayne Wallace

School of Design

City Campus East

Northumbria University

Newcastle Upon Tyne



skype: jayne_wallace

twitter: [at]JayneWellAce

Using Format